Posts Tagged ‘Foals




This four piece band from the Newcastle-Upon-Tyne have been around too long to qualify for a post on The Recommender’s main section, (as that’s reserved for the discovery of only the freshest cuts), but today we focus on a new video they’ve released that’s so special we simply couldn’t resist giving it our spotlight.

For those unfamiliar with the band, they jam out the kind of edgy guitars familiar with Foals, with the added twinkle of Vampire Weekend. Perhaps an obvious yet helpful comparison could offer up the aesthetic of The Maccabees. It’s music packed with many strengths, all poured over with intelligent lyrics, as the group claim as much inspiration from reading books as they do musicians for their heartfelt atmospheric stories.

And so to this remarkable video, directed by Aoife McArdle, (who has also worked with the likes of Clock Opera and Shy Child). It does something very special and it’s caused us to sit up – watch it below and we are sure it will capture your attention too.

Like a series of photographs, the video paints us a real landscape of council estates, hooded teenagers and a working class counter-culture. Our country isn’t all green, rolling hills, or a cosmopolitan London – it’s a awash with sites that are run down and bricked up. A land of rust and broken glass, of detritus and fry ups, of the plastic and synthetic.

The genres that this band dabble in are so often associated with the middle classes, with descriptions like ‘math rock’ or adjectives such as ‘intellectual’ banded around, yet this band have created a video for their new single, Isles, that serves up an image of the UK that most British people need to see, let alone those readers from abroad.

The lyrics yearn with the voice of an observer trying to pull hope from the bleak constraints of a broken land. They speak of never “looking up to see the stars” and of the ignored hope inside the working classes, before hitting an anthemic, touching chorus. It’s a Britain a lot of us have seen but it’s rarely re-visited by many.

View All Photos | © | Little Comets

It’s the honesty and visceral imagery inside the song and particularly its extraordinary video that shows us something as endearing as it is repulsive to those outside of it. It’s a Britain where we are found to be as proud of our grit as we are our authenticity. It’s Sean Meadows’ England, or Mike Smith‘s poetic ship yards. That’s this countries majority – we are there – this is ours.

The band fell out with their major label, Columbia, over issues surrounding their previous album, so they now find themselves in a new position, releasing through the independent label, Dirty Hits. If this fresh beginning continues to produce charming tracks of this calibre then freeing themselves from what they’ve called the “grizzly clutches” will prove to be a well placed slap in the major label’s faces.

Watch the video, stream the single, which is released on the 18th October, and download the orchestral version which they’ve handed to us as a free addition. You can also catch them live as they tour the UK throughout October, often in support of Darwin Deez at selected shows.






The chorus to the track Gold, states “we are gold, we’ll say nothing“, which is absolutely fine by us, as music blogs like ours will be happy to shout for you loud and clear if you keep producing music as startlingly great as this shimmering alt-indie.  If you enjoy the tidy guitars of Two Door Cinema Club, a kind which dance around like popcorn, or the afro-flavours of Tanlines, then you should become as enamoured as we have with this four-piece from Leeds.  Their music is as tight and crisp as anything we’ve heard in recent times, seemingly erratic, as the beats and riffs dart about like a hummingbird.  Even though at first glance they seem as hard to snare as grabbing bubbles, what you eventually find is that the music fills the space with warm melodies, particularly as they break for fantastic choruses.  These constructions are packed with oxygen, breathing so easily, particularly with the light guitaring that seems to be its brilliant signature move.  The beats also feature prominently – so talented is their drummer, Greg Round – with rapid knocks that are as sharp as a tailors suit, lead by the slapped snare that hits late in each beat.  It’s this feature that gives each song its busy feel, rapidly flicking around with about as much patience as a fly that’s landed on a line of cocaine.  They’re not scared of a winding build up and a joyful climax too, as they release the energy in each tune – as witnessed in the excellent track Wreck Ashore, that swirls up so much it actually comes to a complete stop for about five seconds, as if it’s breached the edges of the atmosphere and is hanging in an airless space, before bringing it back to a closing burst.  This pattern is repeated on the impressive tune, Her Heart Is Quite Useless, which seems like they’ve separated out all the notes, playing each one with independence, before closing with a satisfying whip to the mixture.  This style of pretty, alternative indie pop, has been on the rise in recent years, ever since the all-conquering Foals struck their first high-pitched notes, but Loose Talk Costs Lives take it to another level, seeming like the perfect fusion of every band that’s ever been under that same influence.   (MB)

Find them here:         Myspace


Hear them here:         LOOSE TALK COSTS LIVES – GOLD





Before we moved to Brighton and gave birth to The Recommender we lived in the city of Oxford.  Any tourist would expect a collection of Olde English charm upon arrival in ‘The City of Dreaming Spires’, yet Oxford consistently drops the jaws of even the best-researched visitor, with not only its history and architecture but also its amazing atmosphere.  Stroll through the cobbled streets between the universities at night and you feel the city breathing its story at you through it’s 1000 year old walls.  However, there’s another Oxford and it continues to be an important part of its culture – the music.  We all know of Ride, Radiohead, Supergrass et al, but the evolution continues with Foals and more recently with Trophy Wife.  The cities connotations and unique atmosphere seem to bleed into the music, for even though all the aforementioned bands created different sounds, they all seem to have an intellectuality, alongside a middle class feel within them.  However, any link of a musical caste is a little presumptive, for Oxford also has it’s mix of cultures, classes and deprivation.  Is the link found in the accent (or lack of one)?  Is it missing an edge more easily obtained from the likes of Manchester, Glasgow or London?  Either way, the unifying thing is an intangible element, but clearly the commonality is something very ‘Oxford’.  Trophy Wife have all the potential to rise to the heights of their forebears and a slot supporting Foals on their Autumn tour will aid them, as well as unify their geographical ties.  Two original tracks are floating around, being light and bubble-like in their nature as they are.  The excellent Take This Night begins with a twinkle and a tap, before a guitar riff dances into view.  The layered, angelic vocals complete the picture and the dreamy ride is off, as they speak directly to you about “secret places” and requesting that you “take me there“.  It’s the musical equivalent of dancing with your eyes closed – all encompassing, but peaceful.  Before you realise it you’ve been transported to a disco pace and a thick set of musical stratum.  The sound is perfected on the track Microlite, with the charm switched on from the start, pushing a metronomic four beat behind vocals that remind us of The Stone Roses at their haziest and most yearning.  It’s rare to find music this delicate and fragile, that still affects your feet as much as your mind.  Like the city the trio call home, theirs is a sound throbbing with atmosphere and energy, whilst maintaining a classy brume throughout.  (MB)

Find them here:        Myspace

Hear them here:       TROPHY WIFE –MICROLIGHT

Hear them here:        TROPHY WIFE – TAKE THIS NIGHT




The genre of math rock always did sound like the future when it first arrived out of America’s midwest a couple of decades ago, before it evolved into its modern form, with the British act Foals or the New York-based Battles heading up the underground alt-rock scene in the last few years.  It should come as no surprise that this futuristic genre has returned and is seemingly ever more fitting to modern life with each appearance.  It enjoyed a short hiatus between Foals albums, but now seems back stronger than ever with Manchester’s Everything Everything turning it into something ready for the overground, taking the intricate jazz rhythms and moulding them into something beautiful and harmonious from its earlier foundations.  This evolution is joined by Cast Of Cheers, a four piece from Ireland, adding yet another country to the math rock map.  They take the genre’s signature staccato, rapidly-knocked beats and follow it tap for tap with the high guitar notes.  We imagine the tablature of this music to look as impossible as reading hieroglyphics in a sandstorm, so heaven knows how they get through the recording process.  We’re glad they do if the efforts produce music of this quality.  Why do we love it so much?  Well, there’s a theory that suggests it’s to do with the way in which our brains work.  The thoughts inside our minds are not linear, but are instead a rapid firing of neurons that are jumping about all over the place.  Therefore, when we listen to the off-beat and half-beats of math rock it sits better with how our brains like to digest information.  As I said, it’s just a theory.  Either way, it still requires a shit-load of skill and creativity to carve out something so complex, let alone make it enjoyable and melodic.  Bloc Party nailed it pretty well, but that was more down to Matt Tong’s extraordinary ability with the sticks and so they only really dabbled in this end of the rock spectrum.  Cast Of Cheers are slap bang in the centre of the movement and with tracks such as Goose and Strangers they even pour in stories of love and hope alongside the clever arrangements.  The outstanding track, Auricom, is so layered with beats that you can literally select to follow any one of them and find a groove to fall for.  Their arrival comes as our attention currently finds itself on Ireland and it’s burgeoning post-punk scene, with the likes of  Jogging and Not Squares also opting for maximum power.  As if their music isn’t forward-thinking enough, Cast Of Cheers have also gone and released their debut album, Chariots, for free on their Bandcamp page, so head there for more. Like. Now.  Our culture’s evolution is so subtle that you won’t ever feel like you’re in the future, for it will always be your present, but the progression of music can transport you there in an instant with the likes of The Cast Of Cheers.   (MB)

Find them here:         Myspace

Hear them here:         THE CAST OF CHEERS – AURICOM

Hear them here:         THE CAST OF CHEERS – DECEPTAPUNK




Following our recent post about We/Are/Animals, we are pleased to be able to bring you yet another Welsh band that churn out some of the most interesting, exciting, powerful music around.  Gallops are a four piece from Wrexham whose courageous music first marched into view with their song, Lasers, last summer.  Since then the NME and even the BBC have taken note of their incredible, sharply-dressed music.  Comparisons to the likes of Foals and Battles have bounced around like naval mines, which is a fair and accurate description, but there’s also waves of variety bobbing away, which broadens their soundscape.  Tracks such as The Fangs take the kind of synthetic leap into the space age that Jean Michel Jarre plunged into years ago.  This is a particularly useful comparison when it comes to the vocals too, as there simply aren’t any!  This is entirely instrumental music, played with a masterful touch and a captivating, hypnotic magnetism.  Tunes such as Window FX start like a soundtrack to some computer game from the 1980s before building into the kind of theatrical guitar riffing that Led Zeppelin would feel proud of.  More often than not though, the field where they’re most often found grazing is the math rock of 2007.  Don’t be fooled into thinking that this means their sound is dated, as with most of the music from this genre, it’s actually very intelligent and well crafted, thus becoming somewhat timeless.  To be fair, if we re-visit Foals’ album Antidotes now it’s just as enjoyable as it was upon it’s release three years ago.  These comparisons are brightly shown off on tracks such as Werewolves and the pounding Miami Spider, where rock riffs that are as sharp as a banker’s pinstripe jam out, before stuttering as if they were being played by the super-computer, Deep Thought, over jerking beats.  It’s this dissonant jazz tempo that is especially interesting in all of their songs, with the instruments playing just as big a part in the rhythm as the drums themselves, flicking like a set of faulty Taser guns.  It’s very attractive, as the music follows precisely the same pattern that thoughts do inside the brain, firing electricity around in staccato bursts.  Get ready to plug yourselves in with a collection of music that gracefully manages to reflect on the recent past, whilst simultaneously sounding like it’s from the future.  (MB)

Find them here:        Myspace

Hear them here:       GALLOPS – MIAMI SPIDER

Hear them here:        GALLOPS – LASERS



I know every other blog and music magazine does this, so I thought I’d obligingly contribute my ‘best-tracks-of-2008’  list too. I know what you’re thinking – “but every track you post is blindingly brilliant Mike, how can you choose?!” – I know, I know, but I’ve spent the last month trapped in a tower in a Buddhist monastery in Tibet thinking this through, so I’m sticking with it and you best enjoy it!

Before you ask, it’s in no particular order. None of us would agree, it’s really pointless and it would take at least another 6 months in the monastery. Feel free to comment listing which numbers should go in which priority, or if you have any additions you’d like to add >>>

And lastly, please note that not all the tracks listed here were released in 2008 – some are likely to be released in 2009 – it’s just that they floated past The Recommender’s ears this year, as tunes do when you write a blog. At least it’s making 2009 also looking fooking ace!!!

>> I’ve kept a keen eye on this young, new talent that’s emerged this year. She has that independent look and style all her own and her music is no different. Confident, yet beautifully sweet music, full of melody and tune. Her vocals lift the music off the page and are impossible not to love. Upbeat and catchy, her masterful ear for a good pop hook is right up there with the best of them. 2008 has seen a fantastic emergence of strong female solo-artists, including the likes of Little Boots, La Roux, Goldielocks, and Thecocknbullkid’s Anita Blay can definitely be firmly added to the list.

2) MGMTKIDS (Soulwax Edit)
>> 2008 was a particularly good year for remixes, covers and mash ups, as the world’s bedroom-producers got very busy with their new technology. This original tune already blew me away, nestled in the middle of the MGMT album, Oracular Spectacular, and to be fair this Soulwax remix only tweaks it a touch, but it’s pushed up just enough to become a true club floor filler. Hear this in a club packed with Indie-loving teenagers and watch the place erupt.

>> 2008 saw this masterful band of truly exceptional musicians get their buttons in the form of the critically affirming Mercury Music Prize. True acclaim has never been so apt and I for one implore you all to grab a copy of their album, Seldom Seen Kid, as it has many peaks. This tune is a highlight for me and it replaced my previous ‘favourite track’ by them, ‘Forget Myself’. It has an advanced, superb production and boy what a sing-along climax! Never before has a band leapt into the stadium arena with such a triumphant stride. It’s all they deserve. And Guy Garvey is such a top, top fella to boot…

> > A fresh effort from these Australian fellas from the monster label Modular Records. The Australian competition really stepped up a gear in 2008, with Midnight Juggernauts, The Bumblebeez and The Presets all shining strong with great releases of their own, but Van She definitely held their own. A sublime song, with it’s MGMT-style opening and it’s burst of fresh chords that break to the rumbling bass. A leaf taken from the band Sugar and an additional taste all of their own, it’s uplifting chorus leaves you feeling like the tune has existed forever. It’s great songwriting by a band well into their stride.

5) DANGER ft VYLE0h00
>> I am in love with the sound Danger produces in his tunes. It’s all cinematic, 80’s thriller film scores. They are a dark, scary back drop theme tune to any Carpenter movie, circa Halloween or Christine. A tidy Electro pounding pace with heavy synths, its like being hooked by the mouth into a nightclub. This tune follows the same theme, but adds a missing ingredient to previous tunes – namely vocals. Vyle’s lyrics make the tune lighter and infinitely more listenable. It therefore goes down as my favourite work by him to date. I look forward to a lot more from him in 2009.

>> 2008 was the year that Pip Brown finally splashed onto the scene in proper 80’s synth-pop lovliness. She’s been all over the blogosphere this year, but this New Zealand songstress eventually trapped me with this tune. Retro-pop that sounds comfortably familiar, yet bursts with freshness too. Her earlier effort, Paris Is burning, also ranked highly, but it was this tune that finally stole my heart. Her Chrissie Hynde-sounding vocals and an ear for a strum-tastic melody-making chord change meant for a full song with plenty to love.

>> What more do you require in a tune? It’s comes from the Ed Banger Records god that is Busy P and the lyrics are sweetly married by rapper Murs. It brilliantly details an LA scene that’s had my eyes and ears glued to it all year long. This particular version has had the magical Crookers remix dust sprinkled all over it, giving it the perfect pace, electro rough edges and bounce that really adds to it. There was a dozen or so remixes released of this tune, including ones by Mehdi, So Me and Mr.Oizo, but for me, this is the best.

>> Although their left-field, alternative Indie so familiar in their previous albums was somehow smartened up on 2008’s album, Dear Science, the more polished finish that’s evident here actually turned them into a more listenable, less dark affair. I loved previous work by this New York 5-piece, but with this album the songs hit you instantly and with their talents that means they hit you real hard. The highlight for me was this opener, a sublime building track that reminds me of Bloc Party at their most peaceful, with the echoing lyrics and sweeping drums that crash as the guitars kick in. It’s one of the most beautiful openers to any album. The album maintains the fantastic setting throughout, so hunt it out and get swept up.

> > 
Released in Spring 2008, a couple of weeks before their fantastic debut album, Antidotes, this tune provided the confirmation, after the massive hype throughout 2007, that this band were the real deal. Their ‘Math Rock’ or ‘Geek Rock’, as the blogs named it, was fresh, different and exciting to hear. With their distinctive guitaring, played high up the neck of the guitar, flicking out brilliant riffs that caught the eye live, as well as the ear. The band are very tight on stage, sharing a bond that causes a magical chemistry with the crowd. The high tempo of the song bounces along like a robotic butterfly, as it’s all over the place, however, its never lost. With it’s crashing breaks and fantastic chorus, that first splits off at 25 seconds in, it bursts into a fantastic sing along. A proper teenage Indie anthem.        

>> “This truly is the devil’s answer…” – What more can I say!? Slotting neatly on the shelf alongside Yeasayer, this beautiful, wistful, swirl of a song is truly epic. It also has a fantastic video, found posted here on ‘How Good Is This 4’. A fantastic four-piece, with two very credible and differing singers (a unique rarity in itself!). Bursting out of Kendall in the North West in the summer of 2008, with their debut album, Limbo Panto, this band look to have a bright future indeed.

11) PRIMARY ONE –  HOLD ME DOWN (The Shoes Remix)
>> I’ve lost at least a couple of nights sleep having this goddamn tune going round and round in my head as I hit the pillow. I warn you not to listen to it prior to sleep, as it’s literally impossible to remove it once it’s in there. I caught them live in the summer and they were satisfyingly ace. If you don’t yet know them it will only be a matter of time. I believe 2009 could well belong to these guys if things go as planned.

> > It’s frustrated the hell out me reading that many, many of the world’s largest music magazine’s voted Fleet Foxes self-titled album, released through the awesome American label Sub Pop, at the top of their ‘best albums of 2008’ lists! It’s good, but it’s not that good. It’s an album that looks backwards rather than forwards. It’s an accoustic mix of Beach Boys harmonies, were they fronted by Neil Young and backed by the band America. Not a lot that’s breaking moulds then, but it could be worse. After all, there’s still enough magic to warrant your attention.  Sitting by a winter’s fireplace with the snow at your door this song feels so right. It’s beautiful, it’s cinematic and somehow it feels like it has always existed.

>> The second of the remixes by Soulwax on this list, as boy have they been working hard this year! Chopping other people’s tunes up is indeed what they do best. Keeping true to Mick Jagger’s words, (probably contractually, knowing The Stones’ tight ship), they added just enough frisson to build the pounding song up to a new level. The Electro and 60’s band’s sound shouldn’t go hand in hand, but with this work looking well polished it seems we are all going to have to re-raid our Beatles/Beach Boys/Bob Dylan/Byrds/Kinks, (- delete as appropriate), record collections for the next remixes.

>> Australia went cra-zeeeee this year with an explosion of cooler than cool new Indie-Electro bands. They just about all slot neatly into The Recommender’s intended record box. Modular Records is very much at the front of this Aussie push, signing up most of them. The MJ’s though are my favourites. Disco-infused prog-rock-influenced 80’s casio brilliance. The album drifted a little, but the highlights, of which Shadows is my favourite, keep it well above most other albums released in 2008. I managed to see them live in Brighton earlier in the year and had a chance to thank Vince (lead singer) personally which was the least I could do for such an awesome effort.

15) BLOC PARTYTHE PRAYER (La Modes Sunday School Mix)
>> Bloc Party get a lot of cover on the blog world. They have that magic ability to cross dance and indie music quite like nobody else can. We love them and their sublime back catalogue. It also makes them ripe for a good remix, so you will find there’s a million available out there. This one drifted past my inbox this year and I believe it to be one of the best I’ve ever heard, so it gets onto this list simply by standing tall amongst a crowd of others. La Mode have had a fantastic year as most of what they touch turns out to be really strong.

>> Although this is from the album In Rainbows, initially released in 2007 through the inspired choice of a ‘pay-what-you-want’ scheme, this single was actually released in March 2008. The second single to come from that album, it was originally penned more than 10 years previously. Thom Yorke is a master of the haunting, climactic vocals and never before has it shot straight through you quite like it does in this song. Delicate, simple and truly beautiful. It’s a modern masterpiece that no other band could quite achieve. I don’t know how they manage to create songs of such strength that yet seem so fragile.

>> This St.Albans 3-piece burst onto the scene with mucho NME back up and plenty of blog cover through 2007 and 2008. Like most other people, I first came across this band through their amazing tune ‘Paris’, which turned into a subsequent hit, but it was with the tune ‘White Diamonds’, found on the self-titled album released back in September, that I finally fell in love. It’s like a smarter, better dressed version of a tune The Killers would love to have created, had the Las Vegas band not lost it and focused more on their silly facial hair than their music. Its all whirling drum claps, with a funky riffing guitar, that pairs up with the excellent, stylish vocals from Ed McFarlane. Just as it’s verse builds and breaks into the chorus it provides a satisfying knock out blow that smacks you for a home run. A ‘killer track’ in the true sense I guess.

>> This tune came out in February 2008. The third single from the critically acclaimed 2007 album, Kala, is the strongest in my opinion and proved to be the most commercially successful of any of MIA’s releases. Remixed by Diplo, Speak, Scottie B and Adrock amongst others, this tune is full of samples and sounds that hammer home it’s strong lyrical bite. An unlikely tuneful chorus that you could actually sing along to found me seeing a side to the inventive MIA that hadn’t reared it’s head before. It’s a totally stunning and original piece of work. More will be written about the wonderful MIA in an upcoming post I’m doing about the strong female solo artists, so find out more soon.

A strange selection this, but due it’s entry all the same. The band did the ‘Fake Blood’ thing and deliberately held back from letting anyone know their names, faces, or quite frankly anything about them. I think it’s becoming a more and more popular thing to do. Perhaps it’s tantalising to the adoring teenagers to have that air of mystery surrounding them. Perhaps it’s a kick back against the blog world’s ability to spread any new music they locate wafer thin, even before the band are signed up. Either way, it doesn’t deflect from the fact that the songs this group write are strong enough on their own. I had the chance to meet up with them recently and watch them play live in my local town a few weeks ago and even though the mystery regarding their names and faces has now been lifted for me the excitement remains, as they play out a fantastic live show. 2009 may well belong to them.

>> This lot are brand spanking new and yet to release any album etc, but I was in contact with them earlier in the year and they very kindly sent me a selection of their finest songs. All are potential future singles and all were truly fantastic. It’s a sample heavy blend of smooth guitars and beautiful vocals from the talented Claire and Kimberley, backed up by a powerful, slow beat. It’s a dreamy concoction and will remind you of the best bits out of a Zero 7 or Morcheeba album. The melodies seem like they nestle in your ears perfectly, creating a tune that you will instantly love. Perfect for a summer’s day outdoors. Perhaps summer 2009?

OK, I’d better stop there. I’d love to have added The Hair, or La Roux, or Little Boots or, or, or, or….

I hope you agree that this is a list of truly great songs, from great artists, in a productively great year. For more details on them please search through The Recommender’s bountiful archives.

Leave your comments, because I know you will have your opinions on all this.

Be sure to return throughout 2009 to see some of the above artists really blossom. We’ll be right there when they do…



Right, another festival in Brighton, so another finger-waving highlights guide to what you can find there. I’m talking all about THE BEACHDOWN FESTIVAL located on the beautiful Brighton Downs.

Another new festival on Brighton’s increasingly excellent summer ciruit. Listed as “the UK’s newest and most laid back festival“, with “a guarantee of having the driest underfoot site of any festival” (due to the chalk in the hills that its located upon!!).

It will showcase a mix of both international and local acts on 4 stages over the August bank holiday. Worthy of mention at a glance are; De La Soul, Gogol Bordello, Reverend & The Makers, The Infadels and Lightspeed Champion, amongst others. As on every Gig List though, I’m pointing out my favourites and boy are they both cooking!!

– A 3-piece originating from Leicestershire, now based near Oxford and signed to Transgressive Records, I’ve keenly followed these guys over recent years. I saw them live at Reading Festival a few years back, so I point out their live set to you with joyous abandon as they totally kick it. They are all sharp, pointy guitars and catchy chorus’, brothers Henry and Thomas (aka The House Of Lords – brilliant!) share a cracking connection on stage. Slipping under the scene ‘Geek Rock’ with the likes of FOALS in the UK these glasses-clad, tweed-suited fellas are well worth a pop. Go see go see…

ACT:                    YOUNG KNIVES
VENUE:                BEACHDOWN FESTIVAL, THE SOUTH DOWNS, just north of Brighton
COST:                  £85 for full weekend, plus free camping
DATE:                   August Bank Holiday

– Oh so much I can write, so much. A total fucking legend on the electro scene! He is such a super-freaking cool DJ that I’m due to write his very own entry on The Recommender 7, so I’ll spare the facts on this. All you need to know is that this ex-fashion student, friend-of-the-stars, style-tastic, remix-master DJ of electro music is one the best on the circuit. Any circuit! Of the 42 hours of music that The Beachdown Festival claim is on offer the minutes and seconds that this guy is on stage should be the finest of the whole weekend!

ACT:                    KISSY SELL OUT
VENUE:               BEACHDOWN FESTIVAL, THE SOUTH DOWNS, just north of Brighton
COST:                  £85 for full weekend, plus free camping
DATE:                  August Bank Holiday

Hope this helps your bank holiday out. Just remember Kissy Sell Out is known for blowing his air horn throughout his set, like the pied piper of electro, so listen out when he comes calling.

Don’t forget to check back here for The Recommender 7 sometime in the very near future for some more sweet selections. Nice.


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CLUB SMITH (Previously known as THE HAIR)


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