Posts Tagged ‘The Great Escape

24
May
10

THE GIG LIST – NUMBER 44 – GREAT ESCAPE (DAY 3)

Two down, one more day to go.  So with the ringing tinnitus killing my poor little ears, a hangover that only two long days of boozing can bring on, a sever lack of sleep impossible to hide from showing in my eyes and a voice that is fading to a kind Jack Palance husk, we head out for one last sunny day in Brighton.  Another stack of excellent shows awaits and by the end of the day we will be worn, but high on the knowledge that this weekend will forever hang long in the memory.

DAY 3

FENECH SOLER

EXPERIENCE – If you sign up to the festival’s text services you get informed about the (immediately not-) secret shows that crop up.  The festival itself is mainly an indoor evening affair, but the officially established Alternative Escape throws up plenty before and after the main performances.  We awoke, having partied the previous night at the Moshi Moshi Records party at the New Hero venue, to the text service informing us that Fenech Soler were going to be playing outdoors at 13:00 next to the train station.  We headed down to a large, backstreet area, which is normally just a, well,  backstreet area, to find a crowd starting to form.  Amul, Fenech’s manager was there, (we had spent some time together at the Moshi Moshi party the previous night), so I said hello to him and the band as they waited to go on.  This was the band’s fourth set of the weekend, with at least one other to do this evening, so not only did they seem the hardest working group of the weekend, but the buzz around town was that they were totally ace awesome live.  They duly blasted through a fantastic set, to a packed courtyard, looking as fresh as their first performance.  The only distraction from a memorable, engaging show was the arrival of a flash mob.  A large group of people had gathered within the crowd and started dancing in a rehearsed routine.  We’d never experienced a flash mob first hand and we have to say it was totally fucking awesome!  All gigs should hire one!  They even froze to the chorus for Stop And Stare.  As if that wasn’t enough, they then let off an explosion of confetti.  Are you able to imagine how totally brilliant this looked?!  And we hadn’t even had lunch yet.  We love the Great Escape.

BEST TRACKSTOP AND STARE

TinyRedLineForBlog.jpg picture by odelaybradford

MUCHUU

EXPERIENCE – This brother/sister duo was the first of two artists that we would see today that are due to play the Recommender’s next party.  Another afternoon show, this time down at the beach-front club, Life.  Walking around the club’s warren of tunnels to find them seemed somewhat appropriate, as their music is one long attempt to transport you to some sort of cute nether-world of magic and coy mystery.  We found them to be as sweet and tidy as their videos and songs had always suggested, converting the productions well into a live set.  George hit the keys and lined up the samples, whilst Milky sang as if not a care in the world.  Were the room not busy she would surely have produced exactly the same dream-like performance.  It was mesmerising, a little fantastical and ended with Milky throwing a handful of glitter into the air towards the audience as the last song hit it’s final note, (played on a triangle of course!).  Once it was over we waited for them to pack up so we could go and say hello and introduce ourselves.  It’s worth noting just how young they became once we engaged them in conversation off stage.  It was like talking to two little children.  OK, so their tiny reserved voices, reticent natures and modest confidence will never win over Wembley stadium, but it gave a context to their sound that we never had before.  They’d never been to Brighton, but already Milky said she wanted to live here.  Thinking about it, this place is perfect for her.

BEST TRACKSOMEBODY TELL ME

TinyRedLineForBlog.jpg picture by odelaybradford

OU EST LE SWIMMING POOL

EXPERIENCE – We enjoyed lunch on the beach and a few beers at the Oh So Social beach-fronted bar, prior to the second of today’s enjoyable street gigs.  This time the temporary stage was knocked up on a groynes that jutted down the beach, giving the band the backdrop of both the sea and our famous pier.  From a photography perspective it really couldn’t get more Brighton.  As we sipped our pints we heard the first few bars of Ou Est Le Swimming Pool’s set kick off, so we raced straight over.  The Groynes filled rapidly, being set in such a busy area and with these street gigs not requiring a Great Escape wristband, it was free and open to all.  It’s a great way to show those people who didn’t obtain a ticket the type and quality of acts that are on show all weekend.  Two fellas jammed on their synths and twiddled their knobs at the back of the stage and two fellas prance enthusiastically up front.  It worked well and we should point out how hard it must be to generate energy during a daytime gig, with no lights, no smoke, broad daylight and a sea breeze on this occasion.  However they had the crowd singing along, particularly to their strongest single to date, Dance The Way I Feel, and a broad smile was found on the vocalists face as he spotted a lively bunch of young teens bouncing like mad at the front of the audience.  The smiles was contagious and set us up well for the oncoming evening.

BEST TRACKDANCE THE WAY I FEEL

TinyRedLineForBlog.jpg picture by odelaybradford

THE GOOD NATURED

EXPERIENCE – This was the second of today’s artists that are booked for the next Recommender show, which they headline, so we were obviously keen to see them.  We went straight backstage at Audio to say hello to frontwoman and main songwriter, Sarah McIntosh.  She sat there alone and looked nervous.  “Look at me…” she suggested as she held up her hand, which was shaking like a tambourine.  With her young face, her asymmetric haircut and designed eyeliner, this was an artist that had put some effort in, but it reminded us of a student about to sit her exams.  Perhaps the promise of label bosses and A&R in a lot of the crowds at The Great Escape can do this to the performers?  Perhaps Sarah’s like this every time?  Either way, this was going to be interesting.  The set began as most of her songs do, with a piano refrain and her Kate Nash-sounding vocals, but the microphone stand was too far away, causing her to stretch over the keyboards.  Poor thing. If she was nervous before, then now she had a real battle on.  She adjusted the stand for the second song, explaining it all rather engagingly to the audience.  Sadly the stand kept slipping down as she sang, so she gave up on it and snatched the mic from it’s holder.  At this point the show shifted.  It forced her to leave the comfort of the piano’s position and come centre stage, dancing, twisting and posing as she sang.  It became a dramatic performance, where you couldn’t take your eyes off her.  During one heartfelt moment, she put her hand on the chest of a boy stood at the front, as if hypnotising him, accepting the crowd’s existence.  It reminded us of Marina Diamondis and proved we have booked ourselves someone who not only has the tune-bag packed full, but someone who also has an enchanting charm when performing.  This is definitely a chart-bound star of the future. Look out.

BEST TRACKYOUR BODY IS A MACHINE

TinyRedLineForBlog.jpg picture by odelaybradford

THE PHENOMENAL HANDCLAP BAND

EXPERIENCE – This was always going to be a set cut short as Theophilus London was due onstage within the next half hour, so we had to leave with enough time to catch him.  No matter as half of this band’s set is enough to make you smile and besides we had caught them live back in March of this year, so we were well aware of how incredible they are.  We’d shared a few laughs with their lead guitarist Luke on that previous occasion, so it was nice that he recognised us as we waited stage right.  As they set up we also took the chance to chat with Tinashe, another exciting act that had been playing various shows at the Great Escape this year.  We confirmed our interest in booking him for a future Recommender show and he agreed that it would be a great idea, so we will let you know in due course with that one.  As we looked backstage it was nice to watch all seven members of The Phenomenal Handclap Band get in a little pre-game huddle.  It says something for their closeness and focus, which translates directly into their engaging performance.  They did their usual magic of starting the show by jamming for several minutes before hitting their stride with You’ll Disappear, a song we didn’t want to miss, so we were pleased they played so early in their set.  The packed, sweaty crowd in this dark basement suited this hardworking band perfectly.  They have a fantastic bond with each other and that infects the crowd.  We left the room noticing that every single person within it was smiling broadly.

BEST TRACKYOU’LL DISAPPEAR

TinyRedLineForBlog.jpg picture by odelaybradford

THEOPHILUS LONDON

EXPERIENCE – This was possibly the one artist that we were most excited about seeing out of the dozens on show this weekend.  Why?  Well, firstly, his blend of crossover hiphop is totally fucking ace, and secondly his performances comes with a warning sticker that says ‘look out’, in bright neon pink!  Additionally, his fashion is so fly and so fresh that he was always going to shine in a room full of drunk youngsters.  So we arrived at this venue, which is situated at the end of the pier, which adds in it’s own sense of exciting magic, a few minutes early with our man Mark Stafford, a music lawyer and good friend, who was enjoying his seaside jaunt away from London.  As we stood in the bar we spotted two of the boys from Mirrors, so we chatted over a couple of rounds of beers and thanked them for a good set of performances this weekend (see previous Great Escape posts).  They agreed to join us in watching Theophilus do his thing.  Standing alone on stage and working the samples and pre-recorded beats himself he fearlessly launched into his set.  The amount of energy and enthusiasm this guy protrudes is exceptional.  It’s like he’s possessed by his music.  Jerking and posing, knocking his cap, tipping his shades, flirting with the girls and dominating the space, this was a totally perfect boozy peak to the evening.  He ended by letting the last song blast out over and over, whilst he jumped off stage, selecting to dance with the crowd until it’s close.  To say they wanted more was an understatement.  We quickly met with his agent to try to secure a future Recommender show.  It’s worth noting that as we left the venue we bumped into Jamie Klaxon.  With our best journalistic hat on we asked him when the new Klaxons album might be ready and his uninhibited and certainly inebriated self informed us that they’re aiming for August 21st.  Drunken exclusive.  Nice.

BEST TRACKHUMDRUM TOWN

TinyRedLineForBlog.jpg picture by odelaybradford

SLEIGH BELLS

EXPERIENCE – Having quickly darted into Audio one more time for a knockout cocktail on the busy evening terrace, we duly wandered down to Concorde 2, just in time for the last tune of Chatau Marmont‘s set.  In a way this kind of points out the scale of The Great Escape, as this is a band we planned to watch and would love to see live, but because we were at the end of a mammoth three day festival, missing them in place for a Mojito somehow didn’t seem so bad.  Nevermind, as we were really there to catch Sleigh Bells, the band arriving from New York with the most buzz.  We darted straight backstage to say hello and met with their manager.  Being over-confident on booze it’s possible that we tried to book them for a future Recommender show.  Not totally sure though.  Anyway, we were introduced to the New York duo.  We enjoyed a funny moment when Derek Miller and I shook hands, before Alexis stepped forward and said “Hi, nice to meet you. My name’s Alexis…”.  As if I didn’t recognise precisely who she was.  We knew she was gorgeous, but in person she’s knock out.  Totally knock out.  We wished them lots of luck, but tonight they weren’t going to need it.  Much in the same way Crystal Castles only played with a strobe light, the lighting for this show made it virtually impossible to photograph.  We tried it from the photographer’s pit below, then from the stage entrance steps and finally by actually sneaking onstage with them, hiding behind the sampler desk.  Lights or no lights, Alexis runs around the stage like a woman possessed, her hair moshing to the music.  They’re unstoppable.  The crowd got over-excited during Crown On The Ground and invaded the stage, which is not that easy when you consider there’s a barrier, a broad gap and quite a big step up, but the frenzy was simply too exciting for them.  They were all quickly cleared offstage and Sleigh Bells completed the set that completed this years festival for us.  It was glorious.  The perfect storm.  We love Brighton.  It seems that there’s really no better place to escape to than your own home.

BEST TRACKA/B MACHINES

18
May
09

HOW GOOD IS THIS!!!??? – NUMBER 28

THE GREAT ESCAPE – REVIEW – DAY 3

This last post on one of the best festivals we’ve ever experienced is dedicated to Derek Davies and the whole Neon Gold crew – the American label, blog and all round kings of cutting edge Indie cool. Following the last day’s mammoth gig-hopping we ended up at their after party at The Ocean Rooms. It was one thing seeing Yes Giantess play us a great after-hours set, meeting the band alongside the label owner and taking photo’s, but that was nothing compared to meeting up with this blog’s current favourite artist, Marina (& The Diamonds). She posed for photo’s and knew our blog. We really couldn’t have topped off the weekend in more style. Perfection.

1.) TIN CAN TELEPHONE

IMG_2886.jpg Tin Can Telephone picture by odelaybradford

Experience –We were here to see The Joy Formidable in reality, but whilst leaning against the bar our ears attention was eventually dragged towards this cute 6-piece. As we looked over we found one of the guitarists on his knees banging the floor with sticks as if playing an invisible drum kit. It was an image that flew in the face of a very introverted sounding Indie band. Although the vocals were a little bland, with some pretty basic lyrics, it was still a mesmerising performance with many strengths. We caught them occasionally eye rolling, as in Robert Smith from The Cure, which is always annoying, but the arrangements were clever and never tied down for long. Songs built from delicate, chiming ditty’s to then crescendo in an energetic burst. There were definite signs of life here.

BEST TRACKSPAK ATTACK (ysi)

2.) THE JOY FORMIDABLE

IMG_2991.jpg The Joy Formidable picture by odelaybradford

Experience –As lead singer, Ritzy, stepped onto the stage to tune her instruments and sound test it became immediately apparent that she is absolutely fucking tiny! Barely a minuscule 5ft I’m guessing. Pretty and sporting a cuter-than-cute dress and killer blonde bob haircut, they then kicked into gear. My ears may never recover from the atomic sized sound that this little figure produced. Clearly the energetic star of the show and centre of attention, it mustn’t go unnoticed that she both sings and plays lead, proving to also be the big talent in the 3-piece. Smashing her guitar against the amps at the end of the wonderful show-closing song, Cradle, it was confirmed that Kurt Cobain has been reincarnated as a tiny woman! Stunning.

BEST TRACK CRADLE (ysi)

3.) MARINA & THE DIAMONDS

IMG_3071.jpg Marina & The Diamonds picture by odelaybradford IMG_3150.jpg Marina & The Diamonds picture by odelaybradford IMG_3147.jpg Marina & The Diamonds picture by odelaybradford IMG_3124.jpg picture by odelaybradford IMG_3152.jpg picture by odelaybradford IMG_3146.jpg picture by odelaybradford
IMG_3107.jpg Marina & The Diamonds picture by odelaybradford IMG_3105.jpg picture by odelaybradford IMG_3103.jpg picture by odelaybradford

Experience – As we waited in the packed crowd the time ticked by and Marina didn’t show, so we duly panicked. Had we incorrectly read the schedule and gone to the wrong venue!? We checked the schedule, then double checked it. We definitely had the right place, it’s just that it’s running behind – phew! We didn’t want to miss the hottest new female Pop sensation around. A few minutes later our patience was rewarded – on a massive scale! She bowled onto the stage wearing a striking combination of a glittering leotard, complete with love heart over the crutch, killer heels and a leather corset. The shoes were immediately kicked off and she struck the first pose of many, as she gave us the opening track, ‘Girls‘ (which she’s subsequently released for free download today). Victoria Hesketh, aka Little Boots, was in the crowd next to me and must have wondered how she could possibly compete, with her own set due in an hour or so. The performance here was knockout as she moved from covering Gwen Stafani‘s ‘What You Waiting For’, to the excellent ‘Obsessions‘ and outstanding show-closer ‘Mowgli’s Road’. Best performance of the festival so far.

BEST TRACK – MOWGLI’S ROAD (ysi)

4.) THOMAS TANTRUM

IMG_3231.jpg Thomas Tantrum picture by odelaybradford

Experience – Due to Marina & The Diamond’s set running late we found ourselves running around the corner to catch Little Boots, but the crowd’s queueing had swelled, as expected. Even the delegates queue was going to be impossible, so we had to cut our losses and make a detour to Thomas Tantrum. We found a packed out and sweaty Hector’s House venue and this meant getting vitually on stage as we took our photo’s with this Rock Pop 4-piece, fronted by Megan’s twee voice. With upbeat tunes full of catchy hooks and witty lyrics, this was decent stuff, but perhaps in reality it felt a little like a time-filler between other bands. Suffice to say we got in the mood by the time they finished with the excellent track ‘Shake It, Shake It’, which indeed we did just before heading onto the Neon Gold after-party.

BEST TRACKSHAKE IT, SHAKE IT (ysi)

5.) YES GIANTESS / NEON GOLD AFTER-PARTY

IMG_3333.jpg Yes Giantess picture by odelaybradford IMG_3359.jpg Yes Giantess picture by odelaybradford

Experience –You couldn’t imagine a better closing ceremony for our amazing festival than that provided tonight by the world’s hottest talent-spotting Indie record label and blog, Neon Gold. On show tonight were debutant’s Wolf Gang, who were excellent, but it was Yes Giantess that stole our hearts. The label had previously released tracks by the brilliant Passion Pit and so it seems a most natural evolution for them to now have Yes Giantess on their books. With their party-Indie-Pop, they charmed the crowd. We had the chance to meet with the label’s boss, Derek, who in turn introduced us to tonight’s bands, and perhaps more impressively still, Marina (& The Diamonds)! Cue impromptu photoshoots and plenty of back slapping. Perhaps most surprising was that they ALL knew of The Recommender blog, proving that even the New York scenester fraternity cannot escape this Brighton blog’s reach. Nice.

BEST TRACKTUFF N’ STUFF (ysi)

OK, to wrap up our monster coverage we will give you our TOP 3 performances of the weekend. If you were there then we’re sure you will understand our choices. Some bands let the music speak for itself and others show off with a lightning bolt of star quality, but for me it’s the variety and fantastic standards that have been most astonishing…

DAY 1 – MIRRORS
DAY 2 – CHEW LIPS
DAY 3 – MARINA & THE DIAMONDS

We really hope you’ve enjoyed this spell of festival highlights and our photo’s. If you have any thoughts on it, or obviously if you were there and want to share some of your experiences, then please add a comment.
Mike

IMG_3340.jpg Marina & The Diamonds picture by odelaybradford

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15
May
09

HOW GOOD IS THIS!!!??? – NUMBER 26

THE GREAT ESCAPE – REVIEW – DAY ONE

We are waiting for someone to wake us up as we walk through this dream festival.  Imagine a blog writer compiling his ideal festival: Sprinkle generously just about every new Indie band he knows and a few he doesn’t around town (check). Then stir in a handful of top industry people to fluff and a gaggle of celebrities (check). Mix them all into dozens of the finest small and personal venues so you can get so close you can actually touch them without prosecution (check). Finally dollop the entire thing on your very own doorstep! (check check check!).

As Dorothy pronounced there really is ‘no place like home…’, but this ain’t no dream and we’re loving Brighton to bits! And so we are going to do our best to find the time to report back, day by day, the comings and goings from Brighton’s streets, as we pound them in this new music theme park. We’ll add pictures, mp3’s, reviews and links. Enjoy…

1.) PANAMA KINGS

IMG_2119.jpg PANAMA KINGS picture by odelaybradford

Experience– An impromptu gig on the beach during the afternoon seemed a perfect way to begin the weekend and allowed us a chance to stuff our lunches down. Many gigs will be occurring throughout the festival that aren’t in the listings. Linking up to the text service and twitter feeds looks set to provide us all with plenty of hidden gems, particularly in the afternoons before most official schedules begin. This 4-piece from Northern Ireland whipped us in the mood, with their summery, bouncing, power-Indie. The chatter seems to suggest everyone fell for their charm. An ideal start.

BEST TRACKTOE THE PARTY LINE (ysi)

2.) CLUB SMITH

IMG_2162.jpg CLUB SMITH picture by odelaybradford

Experience –Old friends of The Recommender (see our Q&A and previous posts about them), this 4-piece from Leeds and York, bring us a new name, a new drummer and refreshingly a new sound. It’s no re-write of the rules here, as they’ve kept all the original charm they had in their previous incarnation, but added a little weight and intelligence to their upbeat music. As we stood chatting in the crowd with Storme, former tour manager of  Bloc Party and Kaiser Chiefs, we noticed that the keyboards had stopped working! Turned out that the famous Rock photographer, Danny North, had accidentally pulled the plug out by standing on the lead as he snapped away in front of them. It turned out to be a charming moment in what was an enjoyable set. We also managed to get introduced to Huw Stephens, of Radio One fame, so dutifully extolled the virtues of reading our blog. Hope he takes note eh!

BEST TRACKTHE GREEN ROOM (ysi)

3.) FANFARLO

IMG_2195.jpg FANFARLO picture by odelaybradford

Experience –With their Clap Your Hands Say Yeah sound and Arcade Fire inspirations (or should that be aspirations), this turned out to be a fantastic choice on the schedule as we entered the rammed Honeyclub venue. We bumped into Jason Clark, the organiser of Brighton’s Loop festival which kicks off later this summer. We all enjoyed the set that built and built and left everyone wanting more. With their numerous band numbers you aren’t sure where to look, but what struck me most was the amount of different instruments on display and the way they all swapped them around. Real craftsmen playing out charming, atmospheric Indie-Folk.

BEST TRACKLUNA (ysi)

4.) THE INVISIBLE

IMG_2229.jpg The Invisible picture by odelaybradford

Experience –The largest room in the Komedia venue was packed out as it showcased this delightful 3-piece. It didn’t go unnoticed by the band themselves as they explained they’re not used to such a large crowd. They deserved nothing less than a busy room as they justified the time and effort paid by every punter in there by playing a crisp, tight set. Their funked basslines, smooth keyboard chords and the layered vocals of Dave Okumu were mesmerising. Frontman Dave is a sight to behold with his unique fashion and giant stature. We will more than likely give them a full Recommender posting in the near future.

BEST TRACKLONDON GIRL (ysi)

5.) COCKNBULLKID

IMG_2308.jpg Cocknbullkid picture by odelaybradford

Experience –Having found The Hope pub too rammed to even think about entering we decided to skip seeing Chew Lips, (they play another set on Saturday anyway), and moved straight over to The Ocean Rooms club to catch Anita Blay’s brilliant Electro-Pop. Being right at the front allowed an face to face, personal experience in this packed nightclub. Her commanding presence and dramatic gestures, as well as her mirrored cloak, allowed for a colourful, bright set. All the thumping singles were provided and the knowledgeable crowd sang along. The day’s highlight so far.

BEST TRACKON MY OWN (ysi)

6.) MIRRORS

IMG_2388.jpg Mirrors picture by odelaybradford

Experience –Having seen them earlier in the week at a warm up show at the New Hero club in town we knew exactly what to expect here. Namely the freshest and most exciting band to come out of Brighton in years! We will definitely be handing them their own post on a future Recommender, so more will be explained in due course. Suffice to say we met up with (The) James Kendall, editor of Brighton’s going out bible, The Source, and found him as excited as a puppy dog. We weren’t disappointed either. They had to play to a much bigger room with this set and their huge sound and irresistibly melodic, dark Electro-Pop seemed made for it. They’re currently enjoying a potential million pound raising bidding war between labels and on this evidence they’re worth every penny!

BEST TRACKLOOK AT ME (ysi)

7.) WE HAVE BAND

IMG_2462.jpg We Have Band picture by odelaybradford

Experience –Having had a no-show from Fan Death at the beachside club, Coalition, we cut our losses and headed further up the beach to the Concorde 2 venue. What a turn that ended up being as we once again found a brilliant selection of bands. Meeting up once again with Jason Clark and also Anthony Prior, manager of multiple bars in town and all-round-super-booker of bands to various venues in Brighton over the years, we caught the end of Milke. Immediately up next was We Have Band and we wandered back stage to get some photos and generally thank them for their involvement with this blog in previous posts (see the Q&A amongst other posts). As usual they played their lively, pounding bass-driven beat-Pop, with their excellent layered vocals and skillful arrangements. The most fun so far!

BEST TRACKHEAR IT IN THE CANS (ysi)

8.) DATAROCK

IMG_2521.jpg Datarock picture by odelaybradford

Experience – Finding ourselves backstage we were able to get up close and personal with them and they’re just as nuts off stage as on it. A truly wild bunch of characters that totally deserve their headline slot. In their signature red, hooded tracksuits they thumped through their Dance-Funk set. It’s impossible to know where to look when watching them and photographing them was no easier. Normally only a two-piece they multiply their numbers when playing live. Cue lots of running around on stage and lots of posturing. The tracksuit tops were duly thrown off as the set whipped the crowd into a frenzy. The encore was the longest I’ve ever witnessed as we lost track of how many songs, even playing one twice we think. They didn’t want to leave the stage, which was all good, because we didn’t want them to either. Outstanding!

BEST TRACK –  FA-FA-FA (ysi)

And so that’s the end of just day one! Can’t quite believe what an amazing experience it’s been. Roll on day two. Whether we will make it to day three is another matter. You’ll just have to come back to The Recommender to find out won’t you…
Mike

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08
Mar
09

THE GIG LIST – NUMBER 23

We love our home city of Brighton, really we do. Here on The Recommender, we mostly cover music from any of the global scene’s around, but on occasion we have the chance to look no further than our pebble-covered shoreline to locate the buzz of exciting new music. And so it’s with a slightly different edition of The Gig List today that we proudly bring you…

THE GREAT ESCAPE FESTIVAL

That buzz is currently at ear-splitting levels with the recent announcement of the line ups and dates of our annual new music festival. Rightly touted as the UK’s version of the famous American SXSWFestival, with over 300 (mainly) new bands and acts. It runs over 3 days and at 34 venues across Brighton.  

We’ve perused the lengthy listings and taken it upon ourselves to point out what we think are the worthwhile highlights and we’ve been kind enough to include a little mp3 so you can hear them for yourselves. Aren’t we the helpful ones…

 

  
  
Kasabian.jpg kasabian picture by Mark18_2008   
  
  

An Experiment On A Bird In An Air Pump – Lights Out        (ysi)

The Big Pink – Too Young To Love       (ysi)

Fan Death – Veronica’s Veil       (ysi)

Casiokids – Fot I Hose       (ysi)

Dan Black – HYPNTZ       (ysi)

The Joy FormidableWhirring       (ysi)

KasabianClub Foot       (ysi)

Kissy Sell OutNightswimming(Kissy Remix)       (ysi)

Little BootsStuck On Repeat       (ysi)

MetronomyHeartbreaker (Kris Menace Remix)       (ysi)

Micachu & The ShapesThe Golden Phone        (ysi)

The MaccabeesNo Kind Words        (ysi)

Passion PitSleepyhead       (ysi)

The Temper TrapSweet Disposition       (ysi)

V V BrownCrying Blood       (ysi)

We Were Promised JetpacksShips With Holes Will Sink       (ysi)


COST
:                  £ 39.50  (allows access to all venues, subject to capacity)
DATES:                 14th, 15th and 16th May 2009
WEBSITE:             http://www.escapegreat.com

This annual city-wide party is just what the doctor ordered after a long winter. A festival that is growing in stature year on year, it is now rightly claimed as Europe’s leading festival for new music. Could it be any better for a Brighton-based new music blog like ours. We love our city of Brighton, really we do…

Mike




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PREVIOUS INTERVIEWS

CLOCK OPERA

THE GOLDEN FILTER

MIRRORS

WE HAVE BAND

MARINA & THE DIAMONDS

LITTLE BOOTS

CLUB SMITH (Previously known as THE HAIR)

CONTRIBUTORS

Mike Bradford (MB) - Creator and Contributor (UK)

Olivia Gable (OG) - Contributor (Austin, USA)

Matt Allfrey (MA) - Contributor (UK)

Natasha Ryan - Photographer (New York, USA)