Posts Tagged ‘Washed Out




We have been big fans of the Chillwave genre ever since we first caught wind of Toro Y Moi‘s 2007 demos.  Since then it’s also blown the likes of Million Young, Washed Out, Neon Indian and many others across the Atlantic on it’s sonic drift.  Not everything has worked out perfectly for the genre however, for some of its spin-off artists hang in the air like stagnant smoke, but thankfully this relatively new movement is often an attractive, perfumed charm.  We’ve covered most of our favourites on this blog, but the one missing piece was Wild Nothing, also known as the solo artist, Jack Tatum, from Virgina.  Why most of this music hails from America’s East coast, when it actually has such a sun-bleached, Californian feel burnt into it, is quite remarkable.  The genre occasionally suffocates in it’s own heavy use of processed, dreamy samples and echoing synths, but Wild Nothing manages to lift each song by creating melodies that swing and flow like a musical Thurible.  The idea of Hauntology is ingrained into Chillwave, with its use of sounds that seem to be the ghost of genres past, revisiting influences and re-introducing them as if perpetrating some kind of musical séance of shoegaze artists from the 80s.  As other-worldly and ethereal as Wild Nothing is, it still has enough strength to stand up.  You can hear a track like Chinatown and reflect on it’s clear influences, such as The Smiths or The Stone Roses at their most Smiths-like best, but it’s also strikingly beautiful and you find yourself humming it for hours after it’s gone.  It’s almost as if it channels that part of your brain you abused as a stoned teenager and, very much like the strongest spliffs, it subsequently leaves the effects ticking over your mind for long periods.  The dope analogy continues when looking at the lyrics, as songs of paranoia and pessimism suggest an element of claustrophobia in the thick mist.  His debut album, Gemini, was released towards the end of last month on the Captured Tracks label and we found it to be a wonderful, undulating wave of collected songs.  Get on board with this talented artist as soon as you can and we’re confident that it will soundtrack your summer.  (MB)

Find him here:        Myspace

Hear him here:        WILD NOTHING – CHINATOWN

Hear him here:       WILD NOTHING – SUMMER HOLIDAY

Hear him here:         WILD NOTHING – CLOUDBUSTING (Kate Bush Cover)



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A Local’s Perspective – By Olivia Gable

Well everyone, it’s that wonderful time of year again.  The time when everyone who cares about new music at all is talking up the happenings of this past SXSW Festival and speculating on its aftermath.  Lucky for you, we’re doing our best in this post to be a one-stop-blog for band highlights, photos and anecdotes from SXSW 2010.  So if you couldn’t make it this year, at least we can pass some of the joy on to you here from our humble experiences there.  This year in Austin, I took on the role of the official, one-girl embassy for The Recommender.  This was my fourth SXSW, as rather conveniently, Austin just happens to be the place I also call home.

For those who aren’t familiar with the Austin-based festival, every, and I mean EVERY, available club, bar, coffeehouse, vintage store, museum, park, walkway, car park, toilet and alleyway becomes a performance venue, some more ramshackle than others (*Cough* Purevolume‘s broken stage).  Most of these are free ‘unofficial’ parties and shows open to everyone, badge or no badge.  Covered below are some of the ones I made it to…



These guys did a nice job of kicking things off Thursday at Mohawk for the Billions Corporation party.  They had a tough crowd at 12:30 in the afternoon but managed to keep everyone’s attention.  Maybe it’s because they sound so huge live!  I’m sure every sound technician at one point or another has wondered if an audience can in fact be crushed by bass.  This show’s tech was clearly a man of action.  It was hard not to be distracted from the band’s percussive prowess and ringing vocals by the walls of bass closing in on my internal organs. Still, if I had to die by crushing, I’d want the culprit to be something as good as Lovesick Teenagers. They also win my Most Amusing Photo award for this gem:

BearInHeavenFunnyTR.jpg picture by odelaybradford

BEST LARGE BAND:   The Bewitched Hands on the Top of Our Heads

It really was a pleasure to catch this French sextet rocking it out at the France Rocks Austin party.  And that’s not only because when I stumbled into the club to catch them I discovered there was free food (tacos, of course), champagne and beer.  Food mecca!  After chowing down, I listened to them weave their lovely melodies and marvelled at their cohesion as a large band.  “Could three guitarists really be necessary?”, I wondered.  The answer is…probably, but that’s mainly because during their choruses, no one singer or guitarist can be picked out.  They all contribute to the resulting lush soundscape.  Their first EP will be released in early summer, but to hear them before that you can catch them live in their upcoming UK tour or listen to their excellent contributions on Yuksek‘s debut, Away From the Sea.

BewitchedHandsTR.jpg picture by odelaybradford


I really just went to see her because I thought she’d put on a good show.  She performed at the Knuckle Rumbler Lounge party at Peckerheads (ordinarily a frat/college bar).  First of all, this girl is tiny.  Secondly, she knows how to dance.  Watching her footwork and dancing to her bass-heavy songs as she rapped over them put a huge smile on my face.  She is so full of energy that it’s infectious.  This show ended a run of performances she’s made at SXSW, but she still managed to get a somewhat reluctant crowd to Shake it to the Ground.  Don’t just go see her because of her association with MIA and Diplo, do it because she’s got some sweet moves, and she’s willing to teach you.  Who knows, she might just pull you on stage as she did with one The Recommender’s favourite bloggers, Sheena Beaston.

RyeRyeDanceTR.jpg picture by odelaybradford


These guys are the perfect example of the whole point of SXSW.  You think, “Oh I have a few minutes to kill, I wonder what this band is like”. Then voila! You stumble into a fantastic show.  Their Myspace doesn’t really do them justice to be honest.  The keyboards and bass roar at you live, while the guitar rips high, whining melodies through the air.  Their abilities as multi-instrumentalists were on show too, as between songs they switch to keys or toss guitars and bass between one another like it’s nothing.  They won over the crowd so much that people begged for an encore (encores aren’t standard at SXSW’s 30 minute sets), so they unexpectedly closed with a cover of The Stone RosesI Wanna Be Adored and we all drifted away for a few dreamy minutes.

SolidGold2TR.jpg picture by odelaybradford


I went to see Mike Diaz at the Poptarts Suck Toasted blog’s party in a crappy club at the end of my longest day.  It was during the evening, when the ‘official’ SXSW showcases were happening, so very few people were there.  A few moments into the first song, which I recognized from his chlorine-dipped summer haze of an EP, Sunndreamm, everything went wrong.  The speakers made an ungodly racket and went silent.  He waited patiently for things to get working again.  They briefly did, but a few seconds later it happened again.  He did his best to salvage the evening, but he knew it was over.  Still, I heard someone who’d been raving about his album mutter that maybe he just isn’t very good live.  At least for us, he has much better luck in the studio.


In retrospect I think the reason I eventually got to see them was because I’d actually given up trying to.  Friday was a general day of failure, so I wasn’t expecting anything to work out.  Overall three of their SXSW shows were late, cancelled or rescheduled.  I finally ended up seeing them because I stuck around after folk artist Lissie‘s performance, but they were still half an hour late.  My patience paid dividends though.  Despite the crowd not fully appreciating the set, for reasons unbeknown to me, I still loved seeing Claire Evans’ model poses and Jona’s crazy energy.  He danced around so much during a choreographed part that one of his braces snapped and was dangling for the remainder of the show.  However, I think we can blame Claire for the crazy cold weather the next day.  She should never have said it “was great to be somewhere as nice as Austin after being in Canada’s freezing temperatures”! I think the city took that as a challenge, which it won.

YACHTTR.jpg picture by odelaybradford

SADDEST TO HAVE MISSED:   Washed Out with Small Black

This one kills me.  I tried so hard to see this set with both artists playing together at the tiny, dingy Lovejoys, for the I Guess I’m Floating party, but in keeping with ‘Failure Friday’ as I dubbed it, the set was incredibly late.  This year’s SXSW overall saw way more late shows than ever before, which meant in some cases all plans were out the window.  This particular show was going to be over an hour late, and I’d already been waiting in that extremely loud bar for three hours.  Eventually I couldn’t take it anymore.  So I logged it away as ‘Biggest Disappointment’ and left for brighter horizons.  Luckily YACHT’s groovy dance tunes made up for missing them.


It’s impossible to mention every awesome person I met or every band I wanted to see but couldn’t.  That’s part of what makes this festival so unique and impacting.  People get more time with each other, whether it’s over free breakfast tacos and beers, or just in the street.  There are so many wonderful brief encounters that can change entire plans for the day.  Here’s a wrap up of all the little memorable moments and aspects I can, well, remember…

FromHypeMWindowTR.jpg picture by odelaybradford


Catching bands I never expected to see (Rye Rye, Solid Gold, YACHT, and yes, even GWAR).  Having my city once again transformed by thousands of new faces, smells (mostly good), and sounds.  All the free drinks and food that as strangers we were able to bond over.  Exploring clubs and bars in my own town that I didn’t know existed.

PastePartyCowboyHatsTR.jpg picture by odelaybradford


Using Twitter to find people I’ve never met nor know what they look like.  It worked some of the time.  It’s astonishing how Mike (Recommender’s editor in the UK) managed to introduce me, whilst he was online, to people in real life, via his connections on Twitter.  That wafting smell at Red River and 6th.  Yeah, you know the one.  Discovering that, despite careful planning, I can in fact go a whole day without seeing any of the acts I planned to and the experience is just as rich for it.  Trying one last time to save ‘the day that wouldn’t be’ and having the universe tell me bluntly, with a kick to the head, “It ain’t happenin’, Honey, just go with it.”  Watching a t-shirted town in the midst of Spring transform into a blustery winter wind tunnel overnight; in mid March no less!

Street2TR.jpg picture by odelaybradford


Meeting some of the great people from Hype Machine, Mewbox, Strangers in Stereo, and  Chatting with the silly guys from Bear In Heaven totally made my week.  Watching friends get excited about seeing Sean Lennon like it was John Lennon himself in the flesh.  The constant accessibility of bands was awesome.  To simply be able to say, “hey there, you have a minute?”, and suddenly find yourself stumbling through Frenglish with an adorable drummer or two.  Meeting folks that are from all over the world who are just gushing about Austin.  It truly makes me proud to live here.

RoadBlockTR.jpg picture by odelaybradford


Buried under all the tons of rubbish created by the thousands who came, there remains the pieces of your memories and your hearts that you’ve left behind.  All the more reason to come back next year.  Just tell us when to pull out the taco fixin’s.  We’ll be here and we’ll be ready.    (OG)




This very exciting artist comes from Perry, Georgia, of all places.  It’s perhaps a little surprising to find that one of the most promising genre-crossing electronic artists of late hails from a small town that boasts of its “slower pace” and “helping of Southern hospitality”  However, reading that Perry considers itself to be a “warm and gracious” place puts the pieces together.  This is because Washed Out’s currently sold out EP, Life of Leisure, released through the appropriately named Mexican Summer, delivers a soothing sense of warmth and acceptance with every song.  Many blogs seem to be struggling with words to describe Ernest Greene’s sound, and songs like You’ll See It (attached below) and Belong will show you why.  There’s this wonderful, dreamy, wide open sky sound to it that makes you think of soft grass and long lethargic days of summer.  Greene’s songs also stretch beyond the long summer days and into the thoughtful spaces of fall.  There’s also a second skill that’s surfaced, which is in evidence in his exceptionally lovely remix of a Small Black track, (also attached below).  This is the music we wished we could have slow danced to at school discos, but then again they were sadly never this cool.  This fella really is something special.  And if reading this doesn’t make you nostalgic, then the fuzzy hum of his cassette-only (!) release, High Times, certainly will.   (OG)

Find them here:       Myspace

Hear him here:        WASHED OUT – YOU’LL SEE IT ysi

REDLINE.jpg Red line picture by odelaybradford


Really, really exciting new bands somehow appear with a thumping impact.  You know the sort.  They arrive riding a bomb, that explodes in your face like a thousand unexpected money shots, forcing you to sit up and take note.  Well, considering this Brooklyn duo named themselves after the rather twee instrument normally adorning Santa’s ride, they actually came onto our radars with one of the loudest booms around.  They provide the type of excellent, noisy punches that head straight for your ear drums.  On the track Infintiy Guitars they throw out a loose, chaotic, punked sound that Alice Glass would approve of.  However, instead of any reliance on electro samples they appear to have more rounded dimensions.  It’s all about a stripped down brand of music, like hip hop at it’s most street level, this is noisy stuff, with heavily distorted beats, overlapped with the seductive vocals of Alexis Krauss.  She’s paired up with Derek Miller, who used to be found playing with Hardcore band Poison The Well, and even though he enjoyed a reputable contribution to their scene, is now testing his talented hands in this new direction.  Fans of Santigold‘s noisy clamour, MIA‘s rapier impact and Heartsrevolution‘s sentimental attitudes will love this for sure, but as you will see on tune Ring Ring (attached below), they aren’t afraid to pen a summer ballad too.  This is music without fear, a big heart and a bright future.    (MB)

Find them here
:       Myspace

Hear them here:      SLEIGH BELLS – A/B MACHINES ysi
Hear them here:      SLEIGH BELLS –  RING RING ysi

REDLINE.jpg Red line picture by odelaybradford


By definition the word Gaggle means a flock of geese not in flight, or an unorganised group of people doing nothing. On both accounts these terms fail to sum up this Messianic, Nu-rave, robe-wearing, all women Alt-choir, but then what term could?! Their Cockney, street level brand of social and political lyrics are delivered in apocalyptic annunciations, like a scary girl band of harpies! It’s non-generic, it’s very original and it’s brilliantly rammed with doom and power in equal measure. On their most impressive track, Hidden Army, a Roman galleon drum stomp keeps step as the ladies sing in an almost mocking disdain of hiding ones head in the sand and the failings of men. With the excellent song Crows and with the even better remix (attached below), they’ve managed to compose the soundtrack to some Biblical epic from MGM studios. It’s like they’re staging a feminist, operatic production of Homers Odyssey, with massive, brooding and atmospheric choruses. This menagerie of 22 sassy women, led by Deborah Coughlin, built up their stage act over this summer’s festivals and they garnered plenty of useful coverage through Radio 1. With no dates yet organised for a single release the only way to catch them is in the flesh, which is precisely what they confidently claim to want to tear off your body piece by piece. If you dare, it shouldn’t be difficult to catch them as they have a heavy workload of concerts up to Christmas all over the UK.  (DV)

Gaggle2.jpg image by themadgeorge

Find them here
:        Myspace

Hear them here:       GAGGLE – HIDDEN ARMY ysi
Hear them here:       GAGGLE – CROWS (SPAWN OF GAGGLE REMIX) ysi

REDLINE.jpg Red line picture by odelaybradford

If any of you lucky readers found yourselves at New York’s big new music event, CMJ over the last few days, together with it’s wealth of after parties, feel free to comment your experiences. Did any of you catch Sleigh Bells’ or Washed Out’s shows?

The Recommender's Flickr Photos

March 2020



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CLUB SMITH (Previously known as THE HAIR)


Mike Bradford (MB) - Creator and Contributor (UK)

Olivia Gable (OG) - Contributor (Austin, USA)

Matt Allfrey (MA) - Contributor (UK)

Natasha Ryan - Photographer (New York, USA)